work as an in-field presenter, filmmaker and communicator, embedding with organisations to document projects, campaigns or experiences over time.
Rather than one-off content production, I operate as a defined role that combines storytelling, on-camera communication and field production to support fundraising, marketing, education and audience growth.

I work with:

• Charities, NGOs and grassroots initiatives

• Wildlife conservation and environmental projects

• Adventure and experience companies

• Travel, outdoor and sports brands

• Tourism and destination organisations

If your work happens in real places, with real people, over time — I’m a good fit.

Production companies are project-based. Influencers are audience-first.
My work sits in between.

I offer:

• Continuity over time rather than single shoots

• In-field credibility rather than surface-level coverage

• Story-led communication rather than promotional content alone

This creates trust, narrative depth and audience connection that short campaigns often miss.

I typically work on a contracted or subcontracted basis through Harrie Kerley Films, acting on behalf of your organisation while integrating with internal teams.
Engagements are flexible and tailored — not traditional full-time roles, and not ad-hoc freelance work.

Each engagement is structured around:

• A defined role and scope

• Agreed priorities and outputs

• Clear evaluation and review points

I work closely with communications, fundraising or programme teams, with flexibility built in for field realities.

Depending on the partnership, this may include:

• Episodic documentary films

• Long-form YouTube content

• Short-form edits for campaigns

• Field updates for donors and supporters

• Education and outreach media

• Archive and legacy documentation

The emphasis is on story continuity, not just deliverables.

No. Success is evaluated through a mixed framework, which may include:

• Audience engagement and retention

• Newsletter and supporter click-throughs

• Demographic reach and audience growth

• Donor or customer feedback

• Internal team feedback

• Quality, usability and longevity of the media produced

This avoids over-reliance on platform algorithms.

Travel and project-related costs are discussed transparently at the outset.
Because work is embedded and planned, costs are typically more efficient than repeated external shoots, while delivering deeper coverage.

Yes. Many partnerships are designed to be scalable, focusing on:

• Key project phases

• Seasonal or campaign-based work

• Multi-use content across departments

The goal is impact and longevity, not volume.